Subscribe to Noise11 Music News hereīe the first to see ’s newest interviews and special features on YOUTUBE and updated regularly. Stay updated with your free daily music news email alert. June 27-The Riverside Theater-Milwaukee, WI June 26-The Riverside Theater-Milwaukee, WI When I was a young boy, Said put away those young boy ways Now that I'm getting' older, so much older I long for those young boy days With a girl like you With a girl like you Lord knows there are things we can do, baby Just me and you Come on and make it a Hurt so good Come on baby make it hurt so good Sometimes love don't feel like it should. John Mellencamp, also called Johnny Cougar or John Cougar Mellencamp, (born October 7, 1951, Seymour, Indiana, U.S.), American singer-songwriter who became popular in the 1980s by creating basic, often folk-inflected hard rock and presenting himself as a champion of small-town values. for all Ive ever wanted - Ive still got my little pink house, and someone who loves me. June 24-Morris Performing Arts Center-South Bend, IN For everywhere Ive been, for all Ive got. June 23-Morris Performing Arts Center-South Bend, IN June 21-Devos Performance Hall-Grand Rapids, MI June 17-Masonic Temple Theatre-Detroit, MI He started out for a brief period of time as a glam rocker, but then tried out for a solo career with his first album Chestnut Street Incident released by former David Bowie manager, Tony DeFries on the Mainman (division of MCA) label. June 16-Shea’s Performing Arts Center-Buffalo, NY John Mellencamp was born in Seymour, Indiana on October 7, 1951. June 11-Providence Performing Arts Center-Providence, RI June 10-Boch Center-Wang Theatre-Boston, MA June 3-Kimmel Cultural Center-Philadelphia, PA ‘Orpheus Descending’ was produced by Mellencamp and recorded at his own Belmont Mall Studio. In reality, you’re looking at LA and New York City: a man pushes a grocery cart in the shadow of Pershing Square and Grand Central Station, and later appears in Brooklyn near the. First he reveals the scoreboard where everybody loses: “Well there’s 97 crosses planted in the courthouse yard/And 97 families who lost 97 farms.” He then describes the emotional impact: “I think about my grandpa, my neighbors, and my name/And some nightsI feel like dyin’ like a scarecrow in the rain.” He shouts that last line out as if aiming for some kind catharsis, but the monotone refrain offers no such mercy.John Mellencamp has been one of the most prolific of the heritage acts with new albums in 2001, 2003, 2007, 2008, 2010, 2014, 20. The lyric video, released May 12 on Mellencamp’s YouTube channel, presents Portland as synonymous with unrelenting homelessness. In the final verse, the music drops away and Mellencamp brings this tragedy home with scorching intensity. Mellencamp nails the little idioms that give the song a sense of place, such as the way he calls the auctioneer “Ol’ Hoss.” He is also on point about the sad cycle of defeat that the farmer encounters: Not enough crop sales to pay off debt, too much debt to buy seed, and, ultimately, foreclosure. Note how this poor soul brings all of the family’s generations into the narrative: His grandfather and father, who bequeath to him the land that is now of no use his grandmother, who survives and sings gospel songs asking for a higher power to intervene and his son, who is now left without a legacy. Amidst stomping drums and cutting guitars, he sets the scene with brutal efficiency in the first few lines: “Scarecrow on a wooden cross, blackbird in the barn/Four hundred empty acres that used to be my farm.” That sense of heartbreak mixes with potent anger as Mellencamp inhabits the harried protagonist with uncanny authenticity in one of his most memorable vocal efforts.
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