![]() ![]() Setting the GR Limit to that “ideal” threshold means that the compressor won’t “over compress” those sections anymore, resulting in an overall better sound that requires less tweaking. The GR Limit really comes in handy when you found the perfect settings for most of the track but in very specific sections the compressor just clamps down on the signal too hard. It offers the typical compressor controls such as Threshold, Ratio, Attack, and Release, with individual controls for Release Peak and Release RMS, as well as a Knee control, but it also lets you adjust the Gain Reduction Limit which essentially allows you to manually restrict the maximum gain reduction so as to not go overboard with the effect. The Kotelnikov is a program-dependent compressor, meaning that it can vary its response depending on the frequency content or amplitude of the signal allowing you to tweak these dependencies and add new features at the same time. Price: Free and $44 for the premium version.Ĭontrary to most compressor plugins in existence, the TDR Kotelnikov doesn’t try to emulate any existing hardware compressors and rather focuses more on fidelity. Tokyo Dawn Labs TDR Kotelnikov Most Powerful Free Compressor! The THR FreeComp is designed to be as transparent-sounding as possible and not at all reminiscent of any of the old hardware units which add their own flavor, making it a good choice for almost any kind of music, and since it’s got a fairly low ratio, the compression applied is also quite gentle as well. Metering: The THR FreeComp offers right and left output metering (as seen on the right-hand side of the plugin), and a “Compression” meter that indicates how much compression is being applied to the signal, which is represented as a moving circle around the threshold Knob. ![]() Here you can control the volume level that’s being output after applying compression.
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